內容簡介
本館與財團法人春之文化基金會於2017年4月8至9日共同舉辦「檔案轉向：東亞當代藝術與臺灣（1960-1989）」國際學術研討會，引起藝術學界廣泛迴響。研討會邀集24位包括來自美、德、澳、新、馬、菲、中、港、日、韓、臺等多國學者和引言人與會，針對「檔案轉向：東亞藝術史的當代性」議題發表15篇論文，以及8篇有關「東亞檔案行動」和「當代東亞及臺灣藝術史平台建構」圓桌論壇的個案研究進行討論與對話，是近年國內藝術界較具學術厚度以及視野廣度的國際會議。會議係回應近年來國際間對二次大戰後東亞各國的當代藝術的重探歷史趨勢：在全球化的背景下，東亞各國近期也紛紛成立藝術檔案庫，推動本國與亞洲各國基礎文獻與視聽資料的建置、譯介與策展。本書為本館與財團法人春之文化基金會共同出版，收錄其中12位作者學術論文依據內容分為第一部及第二部，附錄則收錄作者簡歷與研討會議程表。
目次
Collected Papers from the International Symposium “Archival Turn：East Asian Contemporary Art and Taiwan， 1960-1989” Contents Foreword of Taipei Fine Arts Museum∣Ping LIN Foreword of Spring Foundation∣Shu-Chau Wang HO Overview∣Po-Shin CHIANG Papers Part I. The Archive in Time， Temporal Frames in the History of the Asian Modern∣John CLARK Indeterminate Temporality Embedded in Nam June Paik’s Early Experiments from 1959 to 1963∣KIM Hee-Young Descent to the Everyday: The Emergence of Critical Exhibitions in Southeast Asia in the 1970s∣SENG Yu Jin Delayed Plasticity: A Preliminary Investigation of the Political Criticism of Sinophone Single-Channel Video Art in the 1980s∣SING Song-Yong The Photographic Conditions of Contemporary Thai Art∣Clare VEAL Yesterday， Today and Tomorrow – the New Chinese Renaissance after the Cultural Revolution and the Prelude to the Modern Art Movement∣Julia F. ANDREWS Part II. The Contemporariness of Material: An Investigation Centered Around the “Exhibition of the Ecole de Seoul∣Po-Shin CHIANG Archives of the Future – Remarks on the Concept of Tertiary Protention∣Yuk HUI Other Worlds: The Native， the National， the Non-Objective∣Patrick D. FLORES Woodcut as Social Media: Inter-Communal Alliance of the Nameless∣KURODA Raiji The Market as Imaginary in Post Mao China∣Jane DEBEVOISE Documents: Reshaping and Remaking Art and Exhibitions in Contemporary China∣Anthony T. K. YUNG Appendices Biographies of Authors Symposium Schedule Acknowledgements
