目錄Contents 杜象到弗拉色斯:從參與式藝術到日常美學近況 Duchamp to Fluxus: from Participatory Art to the Current Situations of Everyday Aesthetics 許?月Ching-yeh Hsu 當代藝術策展與變動的藝術史概念 Contemporary Art Exhibitions and Evolving Art History Concepts 陳貺怡Kuang-Yi Chen 後媒體時代的表演 Performance in the Post-[Mass-]Media Age 王柏偉 Wang Po-Wei 為何攝影對當代藝術是重要的—後觀念觀點 Why Photography Matters as Contemporary Art? – A Post-conceptual Point of View 林志明Chi-Ming Lin 從體制批判到新體制運動 From Institutional Critique to New Institutionalism 徐文瑞Manray Hsu 觀念藝術與其語言的推演能力 Conceptual Art and Linguistic Discursive Power 林宏璋 Hong-john Lin 當混雜成為類型的前提:影像與錄像藝術發展史的敘事轉向 When hybridity becomes the presupposition of genre: the narrative turn in the history of film and video art 江凌青Ling-ching Chiang 裝置,拉出一種生命動線──試讀葛羅伊斯的美學思想 Installation as the Design of Life Energy Circuits : On the Aesthetics of Boris Groys 陳泰松Tai-Song Chen 超越媒界景觀:監視、遠端感測與數位控制,從法洛奇談起 Beyond Mediascape: Surveillance, Remote Sensing, Digital Control, and the Films of Harun Farocki 郭昭蘭Jau-lan Guo 美術館非歷史性的策展意識:20世紀重要策展案例研究 Ahistorical Curatorial Consciousness in the Museum: Case Studies in 20th Century Curating 林 平Ping Lin 從李師科談「政治← →藝術← →多重辯證運動」 From Li Shih-ke to Multiple Dialectics in Art and Politics 陳界仁Chen Chieh-jen